Category Archives: Featured Composition

Cover for Sunken Shoreline single

Sunken Shoreline

Sunken Shoreline (edited, mixed, and released 2021) captures a 2014 performance of climate-related tweets from around the world in realtime (#climatechange, #tarsands, #environment,  fracking, #sustainable, among others), the year before the United Nations Educational, Scientific, and Cultural Organization (UNESCO) formed a “Charter for Sound” to emphasize sound as a critical signifier in environmental health. Mapping characteristics of these tweets to sonic parameters, users from around the world sound out a call for our climate. Here, an array of audio processing submerges these sonic voices under a technological deluge that suggests an Atlantian future should we choose to ignore the calls to action.

Sunken Shoreline was a winner in the International Coastal Futures Ecoacoustic Music Competition held by the Coastal Futures Conservatory at the University of Virginia in partnership with EcoSono not-for-profit.

The competition awarded nine prizes in the areas of field recording, live performance, and sonification, and the competition “aims to discover and recognize new music and sound art focused on the theme of coastal futures.” Sunken Shoreline was one of two awarded in the Sonification category. Winners of the competition were from Norway/UK, Australia, Canada, Portugal, South Korea, and the US.

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Distance-X

Distance-X is a digital musical instrument that consists of a hacked Gametrak, Nintendo Wiimote, and customized Kyma software. Music on Distance-X is all human-powered computer music. No tapes. No spacebar playback. Just body movements turned musical mutants.

Precipitation 3

Precipitation 3 is one of a series of musical compositions written for 26 clock chimes as part of the sound art installation, Aqua•litative. With my Precipitation series, I treat the electromechanical structure as musical instrument, navigating through sound with the syntactical construction of code. Compositions played by the sculpture evoke precipitation data of California weather stations by cycling through bits of its data. These cycles create emergent sonic patterns in a continuously evolving play between density and rhythm. Movement flows as collapsing waves, additively striking a cybernetic balance between natural order and mechanic motion.

Aqua•litative is a kinetic installation that renders multiple data sets of California’s water history into a physical experience. The work correlates natural factors contributing to California’s water shortages, outlining the serpentine narrative of water through the translation of data into kinetic movement and acoustic sound.